RESUME

RESUME.PDF

Graphic Designer, Sound Designer, Editor
Paris, France

DNSEP Graphic Design & Research
L3 & M2 both with honors (2011, 2013)
mention “Art, Science & Technologie”
ESAD •Grenoble •Valence / Grenoble INP

Graphic Design, User Experience & Interaction
Visual & Audio identity, Sound Design.

PROJECTS

Click on a project to navigate more images (arrows/swipe).

Étapes #226

Article & Interview

Design Sticky Notes

Blog (work in progress)
> for now on Tumblr

Gif Call

Interactive Installation, Marseille (2015)

Welcome to the Future

Sound Design (2015)

Brasserie l'Olive

Graphic Design (2015)

Forms™

Mobile app, UI Design

L'Olive

Visual Identity (2015)

Bleue Grise

Logo Design (2015)

Nouveau Luxe

Report - Digital Strategy Consulting (2014)

Benjamin Magazine

Editorial Coordinator + AD Assistant (2014)

Events

Production Manager (2014)

Compose It Art

Logo Design (2014)

Pia Dary

Identity Design (2014)

La Toile

Booklet Design (2014)

Forms

App prototype (2014)

Arts Valley

Sound Design (2014)
> Watch on Vimeo

THR1001

Cover Design (2014)
> Teenage Hate (fb)

La Toile

Logo Design (2013)

Teenage Hate Rec.

Logo Design (2013)

The End

Sound Design (2013)
> Watch on Arte

dyScore

Score Sketching (2013)
> Web app (beta)

Forms

Music Game Interface (2013)
Vidéo 1 / Vidéo 2 / Vidéo 3

Forms – mobile

UX Design (2013)

Formes Sonores

Master's degree thesis (2013)
> Abstract.pdf (en)
> Abstract.pdf (fr)

Composers

Survey (2013)
> posterbook.pdf

Card Deck Prototype

Music Game (2012)
> Blog (en) / Blog (fr)
> Vidéo (music results)

La Récré

Vidéo Teaser (2012)
w/ Cécile Milazzo
> Watch

Rien à Voir

Interactive installation (2012)
w/ Timothée Deloire

C'rock Radio

Logo Design (2012)

Chord Form

App prototype (2011)
Vidéo 1 / Vidéo 2 / Vidéo 3

Pratiques de Lecture

Research (2011)

Photography

Portfolio

RESEARCH

Formes Sonores

Master's Degree Thesis

This dissertation deals with the historical and cultural conditions from which inherit the practice of sound assemblage. It tries to set together the elements that would permit to approach the complex field of contemporary music creation : to observe the practices, the tools, as well as the major role of visual representation into the organization of sounds.

- Writing the music
- The firsts «assisted» composition systems
- The score, mean of elaboration and medium of a dialogue
- New languages, new paradigms
- Computer Assisted Composition
- Language, model, constraints…
- Accompany the novice user
- Music composition today
- Appropriation of a sound piece
- From isolated composer to “players” networks

> Abstract.pdf (en)
> Abstract.pdf (fr)

DNSEP, ESAD Valence, 2013.

Harmony rules and representations

Chord Form, DNAT graduation project

My aim was to build a graphic system to invite the novice users to learn about the notions of pitches, intervals and chords, by creating and manipulating visual forms. The system gives a visual representation in real-time of what is played on a keyboard.

Gérald Venturi is a musician, professor, and seasoned composer. His work is fed from long time by questions about representation. We have talk a lot about the practice of composition, its forms and vocabulary. My project has been supported and strengthened by our work together.

Difficulties with programing and short delays have led me to contact two software engineers, Julien Fernandez and Benoît Nicoletti. They offered me their time and talent. With them, the project has been brought up to new reflexion layers, as every move in the design asked new questions and needed new choices.

“Correspondance” is a collection of emails and chats that we had with Gérald, Benoît and Julien, from music practice to design, and software design.

DNAT, ESAD Valence, 2011.

PUBLICATIONS

— .TXT

12 € (France) | 120 pages | 14x24cm | EAN 9782917855355 | color and bw illustrations | Parution: 22 octobre 2012.

ESAD Grenoble-Valence and B42 editions have joined to presend .TXT, an annual publication that focuses on studying the diversity of graphic design practices.

> editions-b42.com


— Master's degree thesis

96 pages | 19.8x26.5cm | illustrations couleur et noir et blanc | Avril 2013.

This dissertation deals with the historical and cultural conditions from which inherit the practice of sound assemblage. It tries to set together the elements that would permit to approach the complex field of contemporary music creation : to observe the practices, the tools, as well as the major role of visual representation into the organization of sounds.

> abstract (pdf english) / abstract (pdf français)


Independent writer for étapes: magazine

Since 2011
Spécial diplômes 2011, 2012, 2013.
Studios :
Making Things Public (é188, fev 2012) • My Name is Wendy (é189, mar 2012) • Dina Silanteva (é190, avr 2012) • Drawsword (é207, août 2012) • E Roon Kang (é207, août 2012) • Cox & Grusenmeyer (é207, août 2012) • 2x4 (é207, août 2012) • BM & Fils (é211, février 2013)
Chroniques:
Art Book Magazine • Heapself • Il était des fois • Interzones Playground • NYC Wayfindings • Roam (é215) • Fuse 1—20…


Local Journalist & Photographer

From 2004 to 2008 — more than 300 articles, mainly about gigs, exhibitions and cultural events…

Blogging & Links…

Pinterest
Design Thinking, Design Process
Music Representation as a Tool
One Track a Day

Morgan Prudhomme, 2015